Senior Crits: Development of the Maori Marae – Rameka Tu’inukuafe

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For Rameka’s Crit, he explained how he could develop his architecture through the perspective of the Maori culture. Before actually presenting his project, Rameka went into extensive detail about the influences he got from the Maori Culture to develop the design from a Marae into a Theatre/Events centre. This included a story called Ki Otahuhu te Waka which was about the captain of a waka’s wife and how she got seduced by the “Sonny Bill” of that day. The Waka which is a traditional Maori canoe was used as the central influence to create the main form of the structure Rameka created. Displacement and discomfort were the two main concepts Rameka used to influence the essence of his design which. Evidence of this was clearly shown in the way he ‘tilted’ his Waka shaped design to show how the Waka would have tilted as if it were crossing the rough seas around New Zealand.

Elements of the Blobs were evident in his design. It was clear that he had used digital means to‘push the boundaries’ of his design. The huge curves and ribbed-like effect he managed to create as part of design seemed very conceptual and almost ‘dream-like.’ Most of his design was computer rendered with the addition of a basic model to give a clear idea of what the form looked like from all elevations angles and views. Personally, I liked how the design was able to give off the feeling of the Maori Culture through its clever rendering (natural textures and aesthetic). The tutors and the architects who were present at the presentation were also quite pleased with the in-depth research Rameka had gone into to influence his design. There was an appropriate amount of sections and elevations to show how humans would be able to interact with the building and what the environmental surroundings would look like with the design. Rameka also mentioned how it was a goal of his to intertwine his building with the natural surroundings. He did this through burying part of his design into the landscape which gave the building a real ‘earth’ feeling.Overall, I think Rameka’s design was successful in showcasing his research and the ideas and themes he got from it. His presentation and verbal skills worked well in conjunction with his project.

Cyballers playing a game of Basketball on the court outside the home.

Cyballers playing a game of Basketball on the court outside the home.

Cyballer in his Bedroom watching ESPN to keep up with the highlights.

Cyballer in his Bedroom watching ESPN to keep up with the highlights.

Sectional of Cyborg Home showing the Cyborg interacting with different elements of home.

Sectional of Cyborg Home showing the Cyborg interacting with different elements of home.

Sectional of Cyballer home showing Cyballer interacting with spa.

Sectional of Cyballer home showing Cyballer interacting with spa.

Energy Modelling Results

74 Tohunga Cresent was the address of an an existing house we had to Retro-fit. In an effort to make the home more sustainable we had to apply the knowledge we had learnt during the course of the semester in ARCHTEC. The best indication of how energry efficeint our retro-fitting was, was to run an energy simulation. As we can see from the original Energ evaluation, the R-value (indicates thermal resistance) was only 0.55. After all the changes I had made to the building, I had reached a more energy effection thermal resistance of 0.66. Ofcourse, as only a computer program, ArchiCAD was not able to show other changes such as the application of black paint to soak up as much heat as possible during the winter months. Some changes I made to the existing house were:

Adding a green roof: to create insulation for the garage as this room is one of the least insulated. It would also be used to collect rainwater which can then be re-used to pump water around the house.
Slanted Roof: Allows rainwater to flow into gutters and reduce any ‘leaky buikding syndrome.’
Green Louvres: Provide Natural Shading and cooling and will improve circulation in and around the building.
Sunrooms: Catpure heat and allow rooms to warm up.

Journal Three: Architectural Review: Reference: Rob Gregory (2012). Raised Horizon. Emap, CCXXXI (1382), 41-45.

Article Review: Raised Horizon

Out of the three different journals, Architectural Review had the most interesting articles. The language and the flow of the feature writing are easily understood while complementing the images and pictorials of the different works of architecture. In this particular issue, I looked at the article ‘Raised Horizon’ by Rob Gregory. We are introduced to a house located in Hiroshima, Japan. Before the house was even created we are told that when the clients had purchased the land with no clue what to build. After researching different architects by going through numerous lifestyle magazines, they selected Kimihiko Okada – a talented architect who would usually “work in the shadows of more famous and celebrated architects.” “Can we just have a second story?” and “can our house float in mid-air?” are the questions the clients had bombarded on Okada.

In response to the client’s desires, Okada came up with a design consisting of a “coil of continuous and undivided space,” which elevated from the second storey upwards in an anti-clockwise 360degree loop. This space is what connected the first floor entrance, to the second floor living room and the roof terrace. The taper effect of the walls created a series of interior spaces all consisting on the same level. In theory when we think of elevated whirling loop space, we picture sloping floors and odd angles everywhere. However Okada avoided this from occurring by using simple sets of steps. Different floor finishes have been used to differentiate each level. In affect walking through this home creates a sort of journey. The passage ways allow for different areas and spaces to roll on to each-other. This resulted in the integration of all spaces to create one rather large room. Fulfilled were the client’s needs and exploited were the coastal views through the intelligent design work by Okada.

Contents: April 2012 Issue:

17:          Editorial View

19:          Overview

22:          Broader View

25:          View from…

27:          Viewpoints

29:          Your Views

30:          El Batel Auditorium and Congress Centre, Cartagena, Spain.

40:          Toda House, Hiroshima, Japan

46:          Museum of handcraft paper, Xinzhuang, Yunnan, China

56:          Boreal Apartments, Nantes, France

60:          Maritime Museum, Oudeschild, The Netherlands

75:          Campaign: The Big Rethink

84:          Exploring Eye

92:          Reviews

100:        Pedagogy

102:        Reputations

106:        Folio

Journal Two: GAM = Graz Architektur Magazin Reference: Why are we interested in Density? (2012). Springer Wien New York, 08, 15-17.

20130417_171536Article Review: Why are we interested in Density?

Sticking to one main topic or theme is GAM magazine’s primary strength. In this issue the theme is ‘Dense Cities- Architecture for living closer together.’ ‘Why are we interested in Density?’ is a thought provoking article in which they question our infatuation for living closer together. In their argument, the writer made three points very clear as to why density is the key to better living. The first point was that compact, denser cities have much less impact on producing carbon emissions than cities which are dispersed “consisting of individual houses.”

The second point which gave me more clarity on the subject of density was that the construction of road surfaces increases proportionally to the dispersion of individual houses. Basically this meant that the more spread apart houses become, the more roads it will take for people to travel between them.

The final point the article discusses, is that the compression and compactness of a city is highly advantageous allowing the population to interact more with each other due to the space that they will be sharing.  Facilities and amenities will be communal and can be constructed and maintained as a public entity.

The article then proceeds to question the reader asking whether “we really desire the dwellings that we live in,” or if “we really want to live in the compact city.” Our own personal answers to these questions help us realise how density truly is a concept that is essential for life to maintain order on this earth. We don’t need to isolate ourselves from each-other in return for higher carbon emissions and wasted resources.

Contents: May 2012 Issue:

2:            Dense Cities: Architecture for living closer together.

3:            Editorial

6:            Manifestos

8:            Cities and the future

14:          Why are we interested in Density?

18:          Thesis on Density

24:          10 principles of the Civic Art today

30:          Be More!

34:          Helmut Tezak: Graz

50:          Configurations

52:          the Architecture of Urban Density

64:          Does density matter?

68:          Composition

80:          Archipelago Urbanism

94:          Urban Zero: On Density and Vacuity

110:        Thesis on Densification as a Societal Project

114:        Contexts

116:        The return of Density

130:        The concept of Density

142:        Finitely Dense

152:        When does density lead to crowding?

166:        Optical Density

178:        Potentials

180:        Urban Density in Zurich

194:        On the Architectural Potential of Urban Density

208:        The Sprawl Repair Method

224:        Grunderzeit City 2.1

238:        Babylon Revisited: A city within the city

254:        New York City (Steady) Stand: A Figure-Ground Switch

262:        Authors

270:        Books

296:        Faculty

324:        Call for Papers GAM.09